The Hurt Locker. IMDb 7,62 Std. 10 Min+. Find a bomb, defuse it. The job is simple enough, but the room for error is zero. Fail to defuse it, and die. War is. tödliches kommando – the hurt locker imdb. Sanborn, played by Anthony Mackie. We don't share your credit card details with third-party sellers, and we don't. Startseite» Tödliches Kommando – The Hurt Locker Verleih: CONCORDE CR-T; Film-Webseite: internetpoliticsecpr.eu; IMDB.
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Tödliches Kommando – The Hurt Locker – Wikipedia. imdb: Tödliches Kommando - The Hurt Locker in der Kategorie Tödliches Kommando - The Hurt Locker. Reviewed in the United Kingdom on. tödliches kommando – the hurt locker imdb. Sanborn, played by Anthony Mackie. We don't share your credit card details with third-party sellers, and we don't. Den Actioner mit dem Originaltitel: "Point Break" hatte seinerzeit Oscarpreisträgerin Kathryn Bigelow ("The Hurt Locker") inszeniert. In den. Tödliches Kommando - The Hurt Locker [dt./OV]. ()IMDb 7,62 Std. 11 Min.X-Ray Als wäre der Job der Bombenexperten im Irak nicht schon. The Hurt Locker. IMDb 7,62 Std. 10 Min+. Find a bomb, defuse it. The job is simple enough, but the room for error is zero. Fail to defuse it, and die. War is. The Hurt Locker. IMDb 7,62 Std. 11 Min+. An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs.
Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film The Hurt Locker. /db_data/movies/hurtlocker/scen/l/37FPjpg IMDB-Rating: / Kinostart CH-D. The Hurt Locker. IMDb 7,62 Std. 10 Min+. Find a bomb, defuse it. The job is simple enough, but the room for error is zero. Fail to defuse it, and die. War is. Die Filmdatenbank listet u.a. Bilder, News, Credits, Premierendaten und externe Kritiken zum Film. imdb: Tödliches Kommando - The Hurt Locker in der.
After reaching their target, the surviving paratroopers realise that, in addition to fighting the Nazi troops that patrol the village, they also must fight against something else.
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Mark Boal, the film's writer, notes on the DVD commentary that the Beretta 92FS that was supposed to be used in the scene got stuck in customs, which explains why it changes to the correct model later in the film.
Boal goes on to say that acquiring the 92 seen here was a difficult task; he scoured local bars, trying to find a suitable pistol, with no success.
Finally, he found a Jordanian General who gave the producers the used 92 which was then converted to blank-fire by armorer David Fencl.
For the rest of the film, James and Sergeant J. Sanborn Anthony Mackie both use the Beretta 92FS pistol, as noted by the hocked trigger guard and slide-mounted safety.
This is the gun that James was also supposed to use in the scene where he confronts the taxi driver, but it was held up in customs while that scene was shot a Beretta 92 provided by a Jordanian General was used instead.
A 2nd Generation Glock 19 pistol is carried by the leader of the British private military contractors Ralph Fiennes. Sergeant J. Sanborn Anthony Mackie takes the contractor's Glock and points it at his comrades while telling them to put down their weapons.
The carbines are equipped with a variety of sights and other attachments. The sights and attachments often change too.
In particular, for most of the film, James doesn't have a flashlight on his M4, but one appears on it during the rescue of Eldridge. Also, in one scene, Sanborn's ACOG scope is briefly replaced by a red-dot sight before switching back.
He plays the innocent man used as a suicide bomber at the film's end. The film was shot in Jordan , within miles of the Iraqi border, to achieve Bigelow's goal of authenticity.
Iraqi refugees were used for extras and the cast worked in the intense heat of the Middle East. The filmmakers had scouted for locations in Morocco , but director Kathryn Bigelow felt its cities did not resemble Baghdad.
In addition, she wanted to get as close to the war zone as possible. Some of the locations were less than three miles from the Iraq border.
Principal photography began in July in Jordan and Kuwait. Her choice to film in the Kingdom met some resistance.
In discussion, Bigelow found that her cast and crew shared stereotypes of the region from American culture. As Iraq dominated discourse in America and across the world, Bigelow believed that filmmakers would continue to explore the conflict, making Jordan the natural place to film.
According to producer Tony Mark, the blood, sweat and heat captured on-camera in the production was mirrored behind the scenes.
It was just like the onscreen story of three guys who fight with each other, but when the time comes to do the work, they come together to get the job done.
Renner remembered, "I got food bugs. At that point, "people wanted to quit. All the departments were struggling to get their job done, none of them were communicating".
The producer Tony Mark recalled the armorer David Fencl's finishing a hour day. He found he had to stay up all night to make proper ammunition for a sniper rifle, as the supplies did not clear Jordanian customs in time for the scheduled shoot.
One day, he was assembling a prop, and the heat and friction caused the fireworks to blow up in his face. Two days later, he returned to work.
We got shot at a few times while we were filming", Renner said. When you start hearing the stories from a true perspective It was a great experience to be there.
For the film, Bigelow sought to immerse audiences "into something that was raw, immediate and visceral". In staging the film's action sequences, Bigelow did not want to lose a sense of the geography and used multiple cameras to allow her to "look at any particular set piece from every possible perspective.
There was no traditional "villain", and tension was derived from the characters' internal conflicts and the suspense from the explosives and snipers.
The raw footage was described as a "hodge-podge of disconnected, nausea-inducing motion that was constantly crossing the degree line ". Innis spent the first eight weeks editing the film on location in Jordan, before returning to Los Angeles, where she was joined by Murawski.
The process took over eight months to complete. Too many stage-y effects would have been distracting. The editing in this film was all about restraint".
Editing on location led to additional complications in post-production. The production was unwilling to risk sending undeveloped film through high-security airports where the cans could be opened, X-rayed, or damaged.
Accordingly, film was hand-carried on a flight by a production assistant from Amman to London. After the Super 16mm film was transferred to DVcam at a lab in London, the video dailies were transported by plane back to the Middle East to be imported into the editing system.
The whole journey would take anywhere from three days to a week and was described by Innis as the "modern-day equivalent of shipping via donkey cart".
We tried doing FTP downloads, but at the time the facilities in Jordan simply couldn't handle it. The Hurt Locker had its world premiere at the Venice International Film Festival on September 4, , and the film received a minute standing ovation at the end of its screening.
Summit Entertainment took The Hurt Locker wider to more than screens on July 24, and more than screens on July 31, It is also one of the only two Best Picture winners on record never to have entered the weekend box office top 10 The Artist being the other.
Joe in overall grosses. The film garnered half a million dollars in its opening weekend in the United Kingdom of August 28 through August 30, ,  and grossed over a million dollars in the UK, Japan, Spain, and France through March.
According to an article in the Springfield, Illinois State Journal-Register , as of August there was a shortage of film prints of The Hurt Locker , as well as other hit independent films such as Food, Inc.
Theater owners have also complained about distributors "bunching too many movies too close together". Given the popularity of some of the films that are "hard to come by", this strategy may be leaving box office money on the table.
This disc includes an added audio commentary featuring director Kathryn Bigelow, writer Mark Boal, and other members of the production crew; an image gallery of photos from shooting; and a minute EPK featurette highlighting the filming experience in Jordan and the film's production.
The Hurt Locker received widespread acclaim, with Renner's performance receiving praise from critics. It was the second highest-rated film of , behind Pixar 's Up.
The critics' consensus reads, "A well-acted, intensely shot, action filled war epic, Kathryn Bigelow's The Hurt Locker is thus far the best of the recent dramatizations of the Iraq War.
Roger Ebert of The Chicago Sun Times rated the film as the best of , writing, " The Hurt Locker is a great film, an intelligent film, a film shot clearly so that we know exactly who everybody is and where they are and what they're doing and why.
Ebert considered Renner "a leading contender for Academy Awards", writing, "His performance is not built on complex speeches but on a visceral projection of who this man is and what he feels.
He is not a hero in a conventional sense. Richard Corliss of Time magazine also spoke highly of Renner's performance, calling it a highlight of the film.
Corliss wrote,. That supposition vanishes in a few minutes, as Renner slowly reveals the strength, confidence and unpredictability of a young Russell Crowe.
The merging of actor and character is one of the big things to love about this movie It's a creepy marvel to watch James in action. He has the cool aplomb, analytical acumen and attention to detail of a great athlete, or a master psychopath, maybe both.
Corliss praised the film's "steely calm" tone, reflective of its main character. Corliss summarized, " The Hurt Locker is a near-perfect movie about men in war, men at work.
Through sturdy imagery and violent action, it says that even Hell needs heroes. The movie is a viscerally exciting, adrenaline-soaked tour de force of suspense and surprise, full of explosions and hectic scenes of combat, but it blows a hole in the condescending assumption that such effects are just empty spectacle or mindless noise.
Scott noticed that the film reserved criticism of the war but wrote of how the director handled the film's limits, "Ms. Bigelow, practicing a kind of hyperbolic realism, distills the psychological essence and moral complications of modern warfare into a series of brilliant, agonizing set pieces.
Turan applauded Boal's "lean and compelling" script and said of Bigelow's direction, "Bigelow and her team bring an awesome ferocity to re-creating the unhinged mania of bomb removal in an alien, culturally unfathomable atmosphere.
Ottosson's sound design "uses the barely perceptible ringing of tinnitus to amp up the tension. The critic noted the film's different take on the Iraq War, writing that "it confronts the fact that men often take great pleasure in war.
Yet there is something original and distinctive about the film's willingness to admit that for some men and many moviegoers war carries an intrinsic dramatic charge.
Amy Taubin of Film Comment described The Hurt Locker as "a structuralist war movie" and "a totally immersive, off-the-charts high-anxiety experience from beginning to end.
She said of the film's editing, "Bob Murawski and Chris Innis's editing is similarly quick and nervous; the rapid changes in POV as they cut from one camera's coverage to another's makes you feel as if you, like the characters, are under threat from all sides.
Joe Morgenstern of The Wall Street Journal called it "A first-rate action thriller, a vivid evocation of urban warfare in Iraq, a penetrating study of heroism and a showcase for austere technique, terse writing and a trio of brilliant performances.
If you can sit through The Hurt Locker without your heart nearly pounding through your chest, you must be made of granite. This ain't no war videogame.
Derek Elley of Variety found The Hurt Locker to be "gripping" as a thriller but felt that the film was weakened by, "its fuzzy and hardly original psychology.
Army propaganda, although it suggests it is anti-war with the opening statement: "War is a drug.
And in this way, the full impact of the Iraq war—at least as it was fought in —becomes clear: American soldiers shot at Iraqi civilians even when, for example, they just happened to be holding a cell phone and standing near an IED.
Army that I have seen. John Pilger , journalist and documentarian, criticized the film in the New Statesman , writing that it "offers a vicarious thrill via yet another standard-issue psychopath high on violence in somebody else's country where the deaths of a million people are consigned to cinematic oblivion.
Scott and Manohla Dargis. The Hurt Locker was listed on many critics' top ten lists. The film was criticized by some Iraq veterans and embedded reporters for inaccurately portraying wartime conditions.
Author Brandon Friedman , also a combat veteran of Iraq and Afghanistan , shared a similar view at VetVoice : " The Hurt Locker is a high-tension, well-made, action movie that will certainly keep most viewers on the edges of their seats.
But if you know anything about the Army, or about operations or life in Iraq, you'll be so distracted by the nonsensical sequences and plot twists that it will ruin the movie for you.
It certainly did for me. Another thing you'll rarely hear in combat is an EOD E-7 suggesting to two or three of his guys that they leave the scene of an explosion in an Iraqi city by saying: 'C'mon, let's split up.
We can cover more ground that way. At the blog Army of Dude , infantryman and Iraq veteran Alex Horton noted that "the way the team goes about their missions is completely absurd.
Troy Steward, another combat veteran, wrote on the blog Bouhammer that while the film accurately depicted the scale of bomb violence and the relations between Iraqis and troops, "just about everything else wasn't realistic.
A review published March 8, in the Air Force Times  cited overall negative reviews from bomb experts in Iraq attached to the 4th Brigade, 1st Armored Division, quoting a bomb disposal team leader who called the film's portrayal of a bomb expert "grossly exaggerated and not appropriate," and describing the lead character as "more of a run and gun cowboy type … exactly the kind of person that we're not looking for.
Our team leaders don't have that kind of invincibility complex, and if they do, they aren't allowed to operate.
A team leader's first priority is getting his team home in one piece. Former British bomb disposal officer Guy Marot said, "James makes us look like hot-headed, irrational adrenaline junkies with no self-discipline.
On the other hand, Henry Engelhardt, an adjutant with the National Explosive Ordnance Disposal Association having twenty years' experience in bomb defusal, complimented the film's atmosphere and depiction of the difficulties of the job, saying, "Of course, no film is realistic in all its details, but the important things were done very well.
In early March , U. Sarver's lawsuit claimed he used the term "hurt locker" and the phrase "war is a drug" around Boal, that his likeness was used to create the character William James, and that the portrayal of James defames Sarver.
Summit Entertainment, the producers of the film, said in early March that they hoped for a quick resolution to the suit.
On May 12, , Voltage Pictures , the production company behind The Hurt Locker , announced that it would attempt to sue "potentially tens of thousands" of online computer users who downloaded unlicensed copies of the film using the BitTorrent and P2P networks.
It would be the largest lawsuit of its kind. The ISPs were given two weeks to comply with the order.
Starting with its initial screening at the Venice International Film Festival , The Hurt Locker has earned many awards and honors.
It also ranked on more film critics' top 10 lists than any other film ofStartseite» Tödliches Kommando – The Hurt Locker Verleih: CONCORDE CR-T; Film-Webseite: internetpoliticsecpr.eu; IMDB. Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film The Hurt Locker. /db_data/movies/hurtlocker/scen/l/37FPjpg IMDB-Rating: / Kinostart CH-D. Die Filmdatenbank listet u.a. Bilder, News, Credits, Premierendaten und externe Kritiken zum Film. imdb: Tödliches Kommando - The Hurt Locker in der.