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Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world.
As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors.
Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Written by Jwelch Sometimes I can get very irritated by a trailer for giving too much away case in point, "Room" and more recently "Passengers".
Sometimes I can get very excited by a really good teaser trailer case in point, "10 Cloverfield Lane".
But most of the time a "ho hum" trailer typically drives the expectation of a "ho hum" film: "Jack Reacher: Never Look Back" being a good recent example.
At face value, it looks like a dubious "Close Encounters" wannabe, with a threat of movement towards the likes of "Independence Day" and "The 5th Wave".
Actually what you get is a film that approaches the grandeur of "Close Encounters" but interlaces it with the intellectual depth of "Inception", the mystery of "Intersteller" and a heavy emotional jolt or two of "Up".
Amy Adams "Batman vs Superman" plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning.
For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don't.
Banks is approached by Colonel Weber Forest Whitaker and offered the job of trying to communicate with the aliens: where did they come from? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them.
Steven Spielberg made a rare error of judgement by adding scenes in his "Special Edition" of "Close Encounters of the Third Kind" showing everyman power guy Roy Neary Richard Dreyfuss entering the alien spacecraft.
Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but — perversely — seems to be pulled off with mastery and aplomb.
The aliens are well rendered, and the small scale nature of the set I'm sure I've been in similar dingy waiting rooms in UK railway stations!
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won't do.
But this is a masterly piece of science- fiction writing. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about "They have a word for it in Hungary" for example went right over my head.
Denis Villeneuve "Sicario" deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed.
This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story such as her book that still generated debate with my better half on the drive home.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A linguist works with the military to communicate with alien lifeforms after twelve mysterious spacecrafts appear around the world.
Director: Denis Villeneuve. Added to Watchlist. From metacritic. The film uses a script designed by the artist Martine Bertrand wife of the production designer Patrice Vermette , based on scriptwriter Heisserer's original concept.
Computer scientists Stephen and Christopher Wolfram analyzed it to provide the basis for Banks's work in the film.
Lisa Travis was consulted for set design during the construction of the scientist's workplaces. Jessica Coon , a Canada Research Chair in Syntax and Indigenous Languages, was consulted for her linguistics expertise during review of the script.
He developed one of the main themes in the first week using vocals and experimental piano loops. Max Richter 's pre-existing piece " On the Nature of Daylight " is featured in the film's opening and closing scenes.
A teaser trailer was released in August , followed the next week by the first official trailer. The inaccuracy angered Hong Kong social media users. The posters were withdrawn and a statement attributed the inaccuracy to a third-party vendor.
The website's critical consensus reads, " Arrival delivers a must-see experience for fans of thinking person's sci-fi that anchors its heady themes with genuinely affecting emotion and a terrific performance from Amy Adams.
Robbie Collin of The Telegraph praised the film, calling it: "introspective, philosophical and existentially inclined—yet [it] unfolds in an unwavering tenor of chest-tightening excitement.
And there is a mid-film revelation—less a sudden twist than sleek unwinding of everything you think you know—that feels, when it hits you, like your seat is tipping back.
For the most part, it succeeds. Conversely, Forrest Wickman of Slate had a more mixed opinion of the film, praising the cinematography and musical score, but stating that he thought it was similar to Christopher Nolan 's "only intermittently stellar" Interstellar , and criticising the dialogue as "clunky".
The Guardian rated it as the third-best film of David Adger , a linguist professor who teaches at Queen Mary University of London had a favourable view of the accuracy of the linguistics in Arrival , saying that "the portrayal of trying different hypotheses about the language, coming up with generalizations, and testing them out was spot on.
Similarly, Jessica Coon , a linguistic professor who teaches at McGill University and helped with the film's linguistics stated that "what the film gets exactly right is both the interactive nature but also that you really have to start small.
Linguistics professor Betty Birner , who teaches at Northern Illinois University , said that the film's use of the Sapir—Whorf hypothesis went "beyond anything that is plausible".
She also felt the film oversimplified the process of translating the aliens' language, skipping straight from Banks establishing the basic vocabulary of the language, to her being able to understand abstract concepts such as "weapon".
Arrival received numerous awards and nominations. From Wikipedia, the free encyclopedia. Not to be confused with The Arrival film. Theatrical release poster.
Roadshow Films. Entertainment One. Paramount Pictures. Release date. Running time. Main article: List of accolades received by Arrival.
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