M ratings. Download. Step Up Revolution final dance scene. So awesome. By far the best Step Up. Saved from internetpoliticsecpr.eu - Erkunde Stefan Werbs Pinnwand „Step up: Miami Heat“ auf Pinterest. Weitere Ideen zu Step up revolution, Step up, Constantin film. Rikmannsdatteren Emily er ny i Miami, når hun møter den hotte danseren Sean. Han står i spissen for flash mob-crewet THE MOB, som gang på gang forvandler.
Step Up Revolution Inhaltsverzeichnis
Die Tänzerin Emily zieht nach Miami, um dort ihre Karriere voranzutreiben. Eines Abends lernt sie den Streetdance-Künstler Sean kennen, der sich mit seiner Dance-Crew bereits einen Namen gemacht hat. Doch das Viertel, in dem die Crew lebt und. Originaltitel, Step Up Revolution. Produktionsland, USA Step Up: Miami Heat ist ein US-amerikanischer Film aus dem Jahre Dieser Film ist der vierte. internetpoliticsecpr.eu - Kaufen Sie Step Up Revolution () Kathryn McCormick, Ryan Guzman, Cleopatra Coleman günstig ein. Qualifizierte Bestellungen werden. Rikmannsdatteren Emily er ny i Miami, når hun møter den hotte danseren Sean. Han står i spissen for flash mob-crewet THE MOB, som gang på gang forvandler. M ratings. Download. Step Up Revolution final dance scene. So awesome. By far the best Step Up. Saved from internetpoliticsecpr.eu Step Up Revolution - Step Up: Miami Heat. . Drama. 1 Std. 34 Min.. Deutsch Audio. FSK6. Als Emily (Kathryn McCormick) nach Miami kommt, hat sie. Step Up Revolution. 1 Std. 38 Min+. Emily arrives in Miami with aspirations of becoming a professional dancer and soon falls in love with Sean, a young.
Step Up Revolution movie full Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a. 99 min. Originaltitel: Step Up Revolution. Darsteller: Kathryn McCormick, Ryan Guzman, Stephen Boss, Chadd Smith, Megan Boone. Regie: Scott Speer. Originaltitel, Step Up Revolution. Produktionsland, USA Step Up: Miami Heat ist ein US-amerikanischer Film aus dem Jahre Dieser Film ist der vierte.
Ryan Guzman Sean. Kathryn McCormick Emily. Misha Gabriel Hamilton Eddy. Cleopatra Coleman Penelope.
Stephen Boss Jason. Tommy Dewey Trip. Peter Gallagher Mr. Michael "Xeno" Langebeck Mercury. Mia Michaels Olivia. Claudio Pinto Francisco.
Scott Speer Director. Amanda Brody Screenwriter. Adam Shankman Producer. Jennifer Gibgot Producer. Patrick Wachsberger Producer. Erik Feig Producer.
Bob Hayward Executive Producer. David Garrett Executive Producer. Meredith Milton Executive Producer. Jon M. Chu Executive Producer.
July 27, Full Review…. September 24, Rating: 1. July 31, Rating: C- Full Review…. August 30, Full Review…. View All Critic Reviews Sep 13, Most film franchises don't make it past their third instalment.
The fourth film in a given series - a "four-quel", to quote Mark Kermode - is often the point where all remaining principles and good intentions go out of the window.
The franchise has innovated itself as far as it possibly can, the quality has already started to decline good three-quels are very rare and everyone has decided to just give up and enjoy what's left of the box office.
Considering the declining fortunes of the Step Up series, you could be forgiven for not holding out much hope for Miami Heat also known as Step Up Revolution.
It comes from a first-time director, features little or no continuity with the previous offering, and is in some respects just as thin and episodic as we've come to expect.
But whether through sheer good will or a somewhat tighter second half, it does eventually improve upon its predecessor and ends up as something perfectly passable.
It would be quite a stretch to describe any of the Step Up series as auteurist works. The later instalments in particular are so homogenously mainstream and narratively generic that it's hard to see any positive directorial stamp.
But it is worth noting that the series has been at its best when Jon M. Chu has not been behind the camera, vacating on this occasion for Scott Speer.
Like many modern film directors, Speer comes out of music videos, having cut his teeth shooting promos for Ashley Tisdale, Jordin Sparks and Jason Derulo among others.
This will produce a groan among many who despise anyone who comes out of either Disney or reality TV shows like American Idol - and I would often count myself in the latter camp at least.
But however mainstream and often sanitised his work may be, Speer knows how to shoot good dancing and how to keep his performers focussed on the task at hand.
It begins with a pretty decent set-piece and the setting-up of our main characters, who like seemingly every dancer in the history of cinema are waiting for their first big break.
From there the plot incorporates incredibly familiar elements such as forbidden love, corporations not having a heart and the underdogs coming together to take a stand.
If you've seen any of the first three films, you could watch this with your eyes closed and know exactly where it's going. Each of the Step Up films have been populated by characters who are painted in very broad strokes.
In Step Up itself this was acceptable, because director Anne Fletcher used their melodramatic nature as a springboard into something that was appealing and interesting.
But since that point the series has become less and less about character and plot, to the point where if you took out all the talking, it would just be a series of music videos.
Miami Heat doesn't continue this decline, as if things could get any more inane after Step Up 3. But it is still an immensely episodic venture whose moments of dialogue are often just book-ends to the set-pieces.
The characters are so clearly defined in their narrative roles that some of them don't need to open their mouth before we know exactly what they will do by the end.
If you were immensely generous, you could point to the tradition of silent cinema and deriving character from gesture, but such traditions seem far from the creators' minds.
In terms of the performers, we are again confronted by a number of fine dancers whose acting talents are far outstripped by their ability to bust a move.
Like Rick Malambri in the third film, Ryan Guzman is essentially a pretty boy: he doesn't have a great deal of presence, and smiles like he's modelling Levi's jeans.
Kathryn McCormick as a dancer is every bit as good as Jenna Dewan in the first film, but she's a little one-dimensional in delivering her lines.
Misha Gabriel gets very little to work with as Eddie, having to play the 'attitude' or suspicious role in almost every scene with little variety.
And Peter Gallagher mainly lets his greasy hair and suit do the acting for him; there's no evidence of the charisma that he had in, say, sex, lies and videotape.
What's arguably worse, however, are the blink-and-you'll-miss-them appearances by returning cast members who can act. Adam Sevani returns as Moose for all of two minutes, lifting the final set-piece and then swiftly disappearing.
So far, Miami Heat is on a par with Step Up 2, being far too loose and lazy with its characters but not as offensively aimless as Step Up 3.
And then, around halfway through, the film shifts very slightly and starts to actually carry a little more weight around.
The series returns to its roots, trying to use dancing to communicate an idea or contrast with another section of society, rather than just try to impress us with heavily-edited physical exertion.
Once the mob turns its focus to Emily's father and his plans for the development, the film stops being just another story about young people being cool and misunderstood, and becomes a story about how gentrification threatens culture.
This is a theme that has been explored in musical cinema and theatre before, most notably in Rent. The difference is that Rent is annoying and massively pretentious, claiming to say a lot more than it actually is and exploiting the AIDS pandemic along the way.
Miami Heat is completely no-nonsense: it's proud of what it is, but it doesn't feel the need to shout about it or claim that it's saying anything new or ground-breaking.
Its point is simple - that building swanky, modern buildings in places of richly-rooted culture ultimately harms people without big disposable incomes.
Once it's made the point, it leaves it where it lies and moves on. From a visual point of view, the film is a little more rough around the edges than Step Up 3 - which is a good thing.
At times its colour scheme is oversaturated, so that some of the set-pieces look like either music videos or adverts for skateboarding.
But Karsten Gopinath does bring a more kinetic feel in his choice of angles, and the film is edited slickly without drawing too much attention to itself.
Ultimately, what redeems Miami Heat is a sheer acknowledgement of the talent of these people. The set-pieces are among the most inventive and spectacular in the series, with exciting uses of lighting and set design which genuinely surprise us.
The art gallery sequence and the grand finale are particularly impressive, but each of the set-pieces progress to a well-paced, well-planned conclusion.
The choreography is irresistable, so that you find yourself going with it even against your better judgement.
Step Up 4: Miami Heat is the best instalment in the franchise since the original, marking a partial return to form after the disappointment of Step Up 3.
While the series remains insultingly predictable, and the characters are as broad as ever, it has enough to say and enough evidence of the actors' talent to ultimately make you go along with it.
It's hardly the best place to start in exploring the series, but of all the sequels it is the most appealing. Daniel M Super Reviewer. Sep 10, By far the worst one.
Beth M Super Reviewer. Feb 07, With the high school dance scene played out, Step Up: Revolution attempts to do something new but ends up devolving into pretentious trite.
A performance group called The Mob tries to win a YouTube contest by staging impromptu street performances, but things take a turn when they decide to use their art to protest an urban development project.
The storytelling is particularly weak and doesn't endear the audience to the characters or their plight. Additionally, the acting is remarkably poor and has no depth.
But worst of all, the dance sequences don't work: it all comes off as contrived and passionless. Formulaic and superficial, Step Up: Revolution is a pale shadow of what was once a vibrant series.
Dann M Super Reviewer. Sep 24, More of a revulsion than Revolution, Step Up 4 doesn't have any new moves but it does have heart If anybody's wondering where the slick over-produced music videos from the '90s went, they're masquerading here as filler.
At least, this chapter half interestingly angles the dance dance revolution around a flash mob before recycling the capitalist-developer-steamrolling-the-dance-venue plot from the last go-round.
The last chapter only boasted the latter point That component remains here, of course, with the new twosome of wooden leads demonstrating nary a trace of true chemistry like original stars Channing Tatum and Jenna Dewan.
In this PG-rated dance flick, a girl with aspirations of becoming a professional dancer McCormick meets up with the leader of a flash mob dance crew Guzman, et al who's working class Miami neighborhood is set to be destroyed by her father's development plans.
It's just the same old song and dance with funkily choreographed dance-offs aplenty. And yes, the hoofing is well staged and shot, but the theme of dance as protest art is the only intriguing Step-ing stone.
Ultimately, it's not enough to redeem the tired been-there-seen-that goings on of young beautiful people dancing to make a statement against paper-thin heavies.
Step Up, Stomp the Yard, and Take the Lead on the Centerstage--it's strictly dancing-by-numbers with two left feet at this point.
Forget the Wayans Brothers. The Step Up franchise has become its own parody of dance flicks. Jeff B Super Reviewer. See all Audience reviews.
Eddy: to Sean But she's dancing lead. Eddy: [to Sean] But she's dancing lead. Emily: Enough with performance art It's time for protest art. Sean: When the mob speaks, everyone listens.
View All Quotes. Best Horror Movies. Worst Superhero Movies. The next day, Emily persuades Sean to let her take part in their next flash mob, which is scheduled to hit a restaurant the following week.
Eddy immediately dislikes Emily, giving her the lead to test her. Sean also explains that they are trying to win a contest through YouTube by getting 10 million hits on the site.
The flash mob goes well and Eddy admits that Emily did great. The two then celebrate at Ricky's, where Sean and Emily salsa together, much to everyone's delight.
Sean and Emily then sneak onto a boat and sail down the river. There, they bond over their mothers both not being a part of their lives, and they kiss and sleep on the boat until morning.
When they hurry back to Ricky's, which turns out to be owned by Sean's uncle Ricky, Ricky reveals to them that Emily's dad, a building tycoon, is planning to develop the strip, destroying Ricky's bar, Sean's home, Sean's sister's home and workplace, and many other things.
Enraged, Emily storms off to talk to her father, with Sean following behind her. Emily wants to tell The Mob who her dad is, but is reluctantly convinced by Sean not to and instead finds out from her dad that there will be a meeting to determine whether the project to develop the strip goes through or not.
Emily convinces the rest of The Mob to protest the plans. Their dance is a huge hit, gaining the group over a million more views. Eddy finds out that Emily is William's daughter through watching a tape of Sean and Emily rehearsing where she reveals the truth, without knowing that they are being recorded.
Enraged, he reveals Emily's complicity with The Mob to William through a protest flash mob. Emily leaves feeling betrayed by Sean and he gets arrested for saving Eddy after a fight between the two.
Emily had rehearsed her Winwood audition piece as a duet with Sean, but now that she and Sean are estranged, Emily no longer has him as a dance partner.
Instead, she adapts the piece, dancing it as a solo performance. The result falls flat and she fails her audition for the troupe. Sean finally meets Emily, still hurting from the humiliation, and tells him she is going back to work for her dad, per a promise she made with her dad that if she did not become a professional dancer by the end of the summer that she would work with him back in Cleveland.
After Sean and Eddy were sent to jail for being caught in the flash mob, Ricky bails them out. Sean severs his ties with Eddy for destroying his relationship with Emily, knowing how much of a grudge he holds towards her father for firing him.
Getting pep talk from Ricky, Eddy and Sean make up for the wrongdoings they made on each other. Together with the Mob again, they plan one more performance.
No longer a contest, but a voice to be heard. Sean and Emily then perform the original audition piece. Seeing his daughter so happy, William decides to build the community up rather than tear it down.
Reconciled, Sean and Emily kiss passionately and make up, and Sean and Eddy make a deal with the owner of the marketing firm that represents Nike for the Mob to dance in their commercials.
The consensus stating: " Step Up Revolution treads familiar territory by surrounding its lively and kinetic dance sequences with a predictably generic story.
The film was released in 2, theaters. From Wikipedia, the free encyclopedia. Step Up Revolution Theatrical release poster. Matthew Friedman Avi Youabian.
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